Nicollette Smith’s Japan Airline Maps attracts the viewer with the face of the geisha, but Smith’s mastery in assembling the background of map pieces into an outline of blue and white is what brings form to the backdrop and a third dimension to the piece. It appears as if the geisha is afloat over her city. This dramatic diptych (each panel is 24 ½” X 30 ½”) has an entertaining yet thoughtful quality.
Another prominent collagist, Napa artist, Maash Pascal shows her firm footing in the traditions of painting and drawing, and expands on those skills with two expertly composed collages on display here.
Her Temblor piece (16” X 20”, pen & ink, oil, rice paper collage) balances a soulful exploration with visually stimulating colors. Rather than manufacturing cleverness, Pascal’s works show artistic poise that invite the viewer’s gaze as in the piece Four Square (8 ¼ X 8 ¼, pencil, rice paper, pen & ink collage), which uses minimal colors and pieces to find an equilibrium that relaxes the eyes and the mind.
Her Temblor piece (16” X 20”, pen & ink, oil, rice paper collage) balances a soulful exploration with visually stimulating colors. Rather than manufacturing cleverness, Pascal’s works show artistic poise that invite the viewer’s gaze as in the piece Four Square (8 ¼ X 8 ¼, pencil, rice paper, pen & ink collage), which uses minimal colors and pieces to find an equilibrium that relaxes the eyes and the mind.
The O’Hanlon Gallery is perched on a woodsy hillside of Mill Valley with plenty of windows providing natural light and a charming, natural setting for the exhibit.
Catch the Blage exhibit before it closes on Thursday, February 25th.
Catch the Blage exhibit before it closes on Thursday, February 25th.